Exhibition [überleben und leben - survive and live]
Vernissage Thursday, 05. 03. 2026, 6 pm
Finissage: Sunday, 12. April von 1– 6 pm
Mit der Ausstellung „überleben und leben“ zeigt der Verein der Berliner Künstlerinnen 1867 Ergebnisse der künstlerischen Zusammenarbeit und langjährigen Freundschaft von Ans Swart und Gabriele Stötzer, die sich schon seit über 30 Jahren kennen und schon einige gemeinsame Performances während der Zeit nach der Wende gemacht haben. Vom 6. März bis 12. April 2026 widmet sich die Ausstellung existenziellen Fragen nach Verletzlichkeit, Widerstand und Selbstermächtigung. Die Eröffnung findet am 5. März 2026 statt. Die Ausstellung wurde in Kooperation mit Ina Bierstedt entwickelt.
„Überleben“ und „Leben“ erscheinen hier nicht als Gegensätze wie Leben und Tod, sondern als eng miteinander verwobene Zustände. In ihren installativen Arbeiten, Malereien, Zeichnungen. Fotografien und einem Video untersuchen Ans Swart und Gabriele Stötzer, was es bedeutet, unter gesellschaftlichen, politischen oder persönlichen Bedingungen zu bestehen – und darüber hinaus als feministische Künstlerinnen Handlungsspielräume, Kraft, Energie und Würde zu behaupten.
Gabriele Stötzer, Kaiserringträgerin der Stadt Goslar 2026, deren Werk eng mit Erfahrungen von Repression in der DDR-Diktatur, Körperpolitik und weiblicher Selbstbestimmung verbunden ist, reflektiert seit Jahrzehnten Formen von Anpassung und Widerstand. Ihre künstlerische Praxis ist geprägt von radikaler Subjektivität und der bewussten Aneignung des eigenen Körpers als Ort politischer Aussage. In ihren Arbeiten wird Überleben als aktiver, oft konflikthafter Prozess sichtbar – und Leben als bewusste Entscheidung für Ausdruck, Solidarität und Selbstbehauptung.
Ans Swart nähert sich dem Thema aus einer anderen Perspektive, die von psychologischer Tiefe und existenzieller Lebenserfahrung geprägt ist. Ihre Malereien und Performances thematisieren die Geschichte von Frauen, Grenzüberschreitungen und Sexualität. Ans Swart hat einen besonderen Bezug zu Berlin, da sie hier gelebt hat und Teil der lesbisch-feministischen Subkultur und Künstlerinnenszene der 80iger Jahre Westberlins, rund um das Pelze MultiMedia, war. Auch bei Ans Swart ist Leben kein Zustand der Selbstverständlichkeit, sondern ein sensibles, immer wieder neu auszuhandelndes Geschehen.
In der Gegenüberstellung der beiden Positionen entfaltet „überleben und leben“ eine besondere Spannung. Die Ausstellung macht deutlich, dass individuelle Erfahrungen stets in gesellschaftliche Kontexte eingebettet sind. Fragen nach Körper, Identität, Freiheit und Verantwortung ziehen sich wie ein roter Faden durch die Präsentation. Dabei eröffnen die unterschiedlichen künstlerischen Handschriften einen Raum für Reflexion, Empathie und persönliche Resonanz.
Der Verein der Berliner Künstlerinnen 1867, als historisch gewachsener Ort weiblicher Kunstproduktion und -förderung, bietet einen resonanzreichen Rahmen für diese Ausstellung. Die Auseinandersetzung mit weiblichen Lebensrealitäten, künstlerischer Autonomie und kollektiver Erinnerung ist hier nicht nur Thema, sondern Teil der institutionellen Geschichte.
„überleben und leben“ lädt das Publikum ein, sich auf eine intensive Begegnung mit Kunst einzulassen, die existenzielle Fragen stellt, ohne einfache Antworten zu geben. Ans Swart zeigt in einem Workshop am 18. und am 22. März wie man mit Farbe Kleidung verwandeln kann.
Exhibition [überleben und leben - survive and live]
Vernissage Thursday, 05. 03. 2026, 6 pm
Finissage: Sunday, 12. April von 1– 6 pm
With the exhibition ‘Survive and Live,’ the Verein der Berliner Künstlerinnen 1867 (Association of Berlin Women Artists 1867) is showing the results of the artistic collaboration and long-standing friendship between Ans Swart and Gabriele Stötzer, who have known each other for over 30 years and have already done several joint performances during the period after the fall of the Berlin Wall. From 6 March to 12 April 2026, the exhibition will address existential questions of vulnerability, resistance and self-empowerment. The opening will take place on 5 March 2026. The exhibition was developed in cooperation with Ina Bierstedt.
Here, ‘survival’ and ‘life’ do not appear as opposites like life and death, but as closely interwoven states. In their installation works, paintings, drawings. photographs and a video, Ans Swart and Gabriele Stötzer explore what it means to persevere under social, political or personal conditions – and, as feminist artists, to assert their scope for action, strength, energy and dignity.
Gabriele Stötzer, recipient of the Kaiserring Award from the city of Goslar in 2026, whose work is closely linked to experiences of repression under the GDR dictatorship, body politics and female self-determination, has been reflecting on forms of conformity and resistance for decades. Her artistic practice is characterised by radical subjectivity and the conscious appropriation of her own body as a place of political expression. In her works, survival becomes visible as an active, often conflictual process – and life as a conscious decision for expression, solidarity and self-assertion.
Ans Swart approaches the subject from a different perspective, one characterised by psychological depth and existential life experience. Her paintings and performances address the history of women, transgressions and sexuality. Ans Swart has a special connection to Berlin, as she lived here and was part of the lesbian-feminist subculture and artist scene of 1980s West Berlin, centred around Pelze MultiMedia. For Ans Swart, too, life is not a state of self-evidence, but a sensitive event that must be renegotiated again and again.
The juxtaposition of the two positions creates a particular tension in “Surviving and Living”. The exhibition makes it clear that individual experiences are always embedded in social contexts. Questions about the body, identity, freedom and responsibility run like a thread through the presentation. The different artistic styles open up a space for reflection, empathy and personal resonance.
The Verein der Berliner Künstlerinnen 1867 (Association of Berlin Women Artists 1867), as a historically grown place of female art production and promotion, offers a resonant setting for this exhibition. The examination of female realities of life, artistic autonomy and collective memory is not only a theme here, but also part of the institutional history.
‘Survive and Live’ invites the audience to engage in an intense encounter with art that poses existential questions without providing simple answers. Ans Swart will show how to transform clothing with colour in a workshop on 18 and 22 March.
Ans Swart is an artist whose work explores fundamental aspects of human existence, such as the body, voice and mind. Over the 40 years of her artistic work, she has developed a diverse body of work, ranging from traditional panel paintings to expansive spatial environments and collaborative projects. Although painting remains at the core of her practice, she is increasingly extending it beyond the image into space, time and embodied experience.
In her early experimental performances, Swart approached painting as a temporal and spatial process, using spontaneous expression to explore the power and interplay of form, colour, music and voice. In the early '90s, she met her spiritual master, Prof. Chögyal Namkhai Norbu. Throughout this significant encounter, she developed an extraordinary range, moving between spontaneous expression and the absolute exactness of traditional Thangka painting. This development, moving from outer expression to an inner understanding of forms and colours, mirrored her interest in the unlimited potential of human beings through both free artistic expression and fundamental traditional forms. Ans Swart creates works of art that function as both images and spaces, in which art becomes a living process of attention and interconnection.
PERFORMANCE »Lambdoma«
Creatief Centrum Maastricht 1988
With Peter Freysen - actor and singer, and Birgit Ruttkowsky (D) – movement-artist.
Weather/Again is my mother (Weer Is Mijn Moeder)
Paintings inspired by a legacy - the diaries left by my mother.
Simhamukha, 530 x 350 mm
Ans Swart with her Thangka »Simhamukha« in her Atelier on Tenerife
Interview by dzamlinggar.net
Ans Swart is an artist whose work explores fundamental aspects of human existence, such as the body, voice and mind.
Over the 40 years of her artistic work, she has developed a diverse body of work, ranging from traditional panel paintings to expansive spatial environments and collaborative projects. Although painting remains at the core of her practice, she is increasingly extending it beyond the image into space, time and embodied experience.
In her early experimental performances, Swart approached painting as a temporal and spatial process, using spontaneous expression to explore the power and interplay of form, colour, music and voice. In the early '90s, she met her spiritual master, Prof. Chögyal Namkhai Norbu. Throughout this significant encounter, she developed an extraordinary range, moving between spontaneous expression and the absolute exactness of traditional Thangka painting. This development, moving from outer expression to an inner understanding of forms and colours, mirrored her interest in the unlimited potential of human beings through both free artistic expression and fundamental traditional forms. Ans Swart creates works of art that function as both images and spaces, in which art becomes a living process of attention and interconnection.
In any case Ans Swart has added her own vision and interpretation. The starting point of this ritual is visualization. Six disturbing passions or emotions - and the matching worlds (lokas) - are symbolized through particular colours situated in the different chakras. The ritual purifies each colour in turn. Instead of being eliminated the negative emotion (such as pride, jealousy, anger or attachment) is transformed into related wisdom. As a painter Ans saw a challenge.
Tiglé’s also represent the natural movement of the formless world &, in Tibetan practice, are used as methods of liberation. In my work, the tigle can be considered an extension of my studies w. the Tibetan Ati Yoga teacher, Namkhai Norbu Rinpoche, or simply as a circular depiction of colour & rays.
Consciousness is everywhere, but the one phenomenon is more accessible, more resonant, or more inspiring than the other. »Beauty is in the eye of the beholder«, and for these qualities is this also true: that for which my eyes open, that which they want to see, that works for me.
Ans Swart
Visual Artist, Thangka-Painter
Amsterdam / Tenerife
🔴 Sold Pictures are marked with a red Button.